Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens. This is undoubtedly true of the band’s sixth studio album 40 oz. To Fresno, an album that has songs that span the last eight years, yet comes together to form a cohesive album that marks the next chapter of Joyce Manor. “This is an interesting record because the final track ‘Secret Sisters’ was actually a B-side from [2014’s] Never Hungover Again and ‘NBTSA’ is actually a reworked version of ‘Secret Sisters’ that barely even resembles the original song,” Johnson explains. Although Joyce Manor were planning on taking a break prior to the pandemic, Johnson soon began writing to keep boredom at bay and much of the remainder of 40 oz. To Fresno came out of that period of focused songwriting.
FALLING IN REVERSE return with 2024’s Popular Monster, the postmodern trailblazer’s first full-length in seven years. The album arrives armed with no less than three RIAA-certified gold singles (“ZOMBIFIED,” “Voices in My Head,” “Watch the World Burn”), the double-platinum title track, a reimagined nü-metal classic, and six brand new anthems of furious metal, melody, and hip-hop. Popular Monster is a defiant statement and triumphant victory for singer, songwriter, bandleader, and provocateur Ronnie Radke, who invented Falling In Reverse inside a prison cell. Radke fills the fifth full-length from Falling In Reverse with invincible and irresistible songs that resonate across generations and genres. Co-produced with longtime collaborator Tyler Smyth (I Prevail, Skillet, Lights), Popular Monster is full of confessional angst, bravado, and clever wordplay.