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Jakobs Castle
If Jakobs Castle were a physical place, it would exist somewhere in the present that’s also rooted in history—and that’s exactly how Jakob Nowell approached the 14 songs that make up Enter: The Castle. As the son of Sublime’s legendary frontman Bradley Nowell, there is no denying that Jakob is influenced by his father’s music and legacy. However Jakobs Castle is anything but a nostalgic rehash. Instead these songs are remarkably cutting-edge while still retaining the keen sense of melody that endeared his father’s music to millions of people all over the world. Nowell has described the project as “mixing California’s past with the fresh mystery of internet underground culture” and that’s a good place to start. But it’s only the tip of the proverbial iceberg when it comes to the sonic and emotional depth of this varied collection of songs.
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Joyce Manor
Joyce Manor is a band who have never relied on gimmicks. Since forming in Torrance, California, in 2008, the band—vocalist/guitarist Barry Johnson, bassist Matt Ebert and guitarist Chase Knobbe—have built-up a feverish fanbase by writing catchy, pop-punk songs that seem straight-forward on the surface but teeming with carefully crafted nuances upon multiple listens. This is undoubtedly true of the band’s sixth studio album 40 oz. To Fresno, an album that has songs that span the last eight years, yet comes together to form a cohesive album that marks the next chapter of Joyce Manor. “This is an interesting record because the final track ‘Secret Sisters’ was actually a B-side from [2014’s] Never Hungover Again and ‘NBTSA’ is actually a reworked version of ‘Secret Sisters’ that barely even resembles the original song,” Johnson explains. Although Joyce Manor were planning on taking a break prior to the pandemic, Johnson soon began writing to keep boredom at bay and much of the remainder of 40 oz. To Fresno came out of that period of focused songwriting.