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See AllMotion City Soundtrack Announce New Album ‘The Same Old Wasted Wonderful World’ Out Sept. 19 Via Epitaph Records Share Music Video To Lead Single “She Is Afraid”
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La Dispute
It’s been six years since La Dispute released their last album, Panorama. Since then, the Michigan post-hardcore band—made up of Jordan Dreyer on vocals, Brad Vander Lugt on drums, Chad Morgan-Sterenberg and Corey Stroffolino on guitar, and Adam Vass on bass—dealt with the stagnance of the pandemic, celebrated the ten-year anniversaries of Wildlife and Rooms Of The House, and began working on No One Was Driving The Car. The fifth studio LP is the first entirely produced by the group, and it came together in Grand Rapids and Detroit, the United Kingdom, Australia, and the Philippines: “I think the change in environment was really helpful to breathing new life into the process each time we came back to it,” Dreyer says. Partly inspired by the 2017 psychological thriller First Reformed, No One Was Driving The Car reckons with malaise in the shadow of the looming apocalypse, which has noticeably been worsened by the advancement of tech. The title comes from a quote from a police officer Dreyer read in a news article about a lethal self-driving Tesla crash, an absurd event which raises questions about the amount of control we have in our own lives. In fourteen dynamic tracks, the band grapples with the existential topic and the human need to find comfort and a sense of security in an existence where we’re often thrust into chaos without permission. Dreyer yells with a more primal sense and sings in a more refined way, and the guitars have a sharper edge than ever before. “As much as I don’t enjoy the creative process because it’s taxing and often not fun, I also think it’s the most fun that I ever have,” Dreyer contemplates. “It’s the revelations you make, the breakthroughs. It’s banging your head against a wall and suddenly something clicks in a way that feels almost divine, like it came from somewhere else.”
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The Menzingers
At this point, the Menzingers are an absolute institution. The Philadelphia punk legends’ multi-decade reputation as road warriors with an unbeatable catalog is cemented as hard truth—and their seventh album, Some Of It Was True, stands as their most immediate-sounding and energetic record to date. The follow-up to 2019’s sensational Hello Exile accomplishes the daunting task of capturing the Menzingers’ distinctive live energy in the confines of the studio, resulting in a sound that’s both rich, raw, and complementary to the group’s increasingly prismatic songwriting approach. More than 15 years in, the Menzingers are still holding their listeners square in the immediate present, and Some Of It Was True documents that power in thrilling fashion.