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4.8.2026Tempe, AZMarquee Theatre
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4.8.2026Des Moines, IAWooly's
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Joyce Manor
Joyce Manor are California pop-punk legends and I Used To Go To This Bar is this epochal band operating at the top of their game. They continue to deliver relentlessly satisfying rock music in a manner that makes it look simply effortless. The Torrance, California-hailing trio of Barry Johnson, Chase Knobbe, and Matt Ebert are at a point in their career where their position as one of the most beloved rock bands is a foregone conclusion. Their seventh album, produced by Brett Gurewitz (of Bad Religion and Epitaph Records CEO) finds the group continuing to find rich new veins to tap in their short-and-sweet songcraft without losing an ounce of bite that gained them such repute in the first place. A bustle of activity that followed the release of 2022’s excellent 40 Oz. to Fresno and included an instantly memorable appearance on John Mulaney’s Everybody’s in L.A. and a retrospective assessment of the group’s seminal 2011 self-titled debut as part of Pitchfork’s esteemed Sunday Review series. The band’s had a whirlwind touring schedule over the last few years, which has included an outing with Weezer and multiple sold-out shows at the legendary California venues Hollywood Palladium (including a guest performance by Mark Hoppus for the fan favorite “Heart Tattoo”) and Long Beach Arena. This new record retains the band’s penchant for punchy hooks while sounding fuller, more in-your-face, and all-around bigger than ever, with an all-star crew of collaborators along for this wild ride. Along with mixing pro Tony Hoffer (M83, Beck), behind-the-boards legend Tom Lord-Alge lent his Enema of the State engineer magic to several I Used To Go To This Bar cuts, including the first single “All My Friends Are So Depressed.” The album also features a rotating cast of drummers, including touring drummer Jared Shavelson, Social Distortion’s David Hildago, Jr., and Joey Waronker—the latter of whom is currently hitting the skins for Oasis’ reunion tour.
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Dolo Tonight
Dolo Tonight is defining his own brand of “awkward anti-pop” with a coming-of-age concept album and a mission to bring fun back into music. The LA-by-way-of-New-Jersey artist, born Jonah Rinder, channels his offbeat energy into everything he does, whether he’s breaking the Guinness World Record for filming a music video at the highest-ever altitude or sneaking onto a high school campus to film a cast of elderly folks for a skit or sneaking onto a high school campus to film a cast of elderly folks for a music video. With millions of views on TikTok and a fanbase that appreciates the unconventional, Dolo crafts vibrant, genre-bending tracks inspired by indie pop greats like Phoenix and Passion Pit, all delivered with a colorful, tongue-in-cheek twist. Dolo knows exactly who he’s making music for: the weirdos, the outcasts, and anyone who’s ever felt like an awkward outsider. His infectious choruses and playful lyrics (about everything from crocheting animal sweaters to drunken cake runs at Wawa) reflect his belief that music should be as fun and authentic as possible. “I’m just a weird, fun dude. I love writing weird lyrics,” he says. “I just like saying weird sh*t.” That authenticity shines on his debut album DVD Rental Store, released via Epitaph Records. It’s a nostalgia-inducing, coming-of-age journey packed with bold anthems and buoyant chords. The project, produced with JUNO Award-winner Ryan Spraker, marks a sonic evolution for Dolo, who learned to let go of genre and perfectionism in the studio and embrace his full creative spirit. Inspired by the lost era of video stores, DVD Rental Store plays like a series of vignettes; With stories of underdogs (“Varsity Lip”), heartbreak (“Hate You Now”), friendship (“Two Pens”), and breaking free from expectations (“Live Your Life”). Dolo’s friends helped to shape the album’s visuals and voice skits, adding another layer of authenticity. At its core, Dolo’s music is an invitation: “You’re allowed to have fun. Let yourself have fun!”