Upcoming Shows
See All-
3.12.2026Elmont, NYUBS Arena
-
3.12.2026Mt Claremont, AustraliaPerth HPC
-
3.12.2026Houston, TXHouse of Blues Houston
-
3.13.2026Stuttgart, GermanyIm Wizemann
-
3.13.2026Cardiff, United KingdomTramshed
Listen
YouTubeFeatured Video
YouTubeFeatured Video
YouTubeFeatured Artist
See All
DRAIN
Anyone who’s seen Drain live has felt it. The electricity coming off of the stage. The communal energy of the fans singing upfront. The primal thrills of fists flying in the moshpit. The uninhibited joy emanating from every banging head, screaming lung, and airborne foot in that room. There’s nothing like a Drain show. There’s no other hardcore band like Drain. The Santa Cruz band is an institution in their genre and an affable neighbor to their adjacent ones. Punks love Drain. Metalheads love Drain. Haters can’t help but love Drain. Drain is for everyone. Well, venue security guards might not love Drain. But to everyone else: Drain…Is Your Friend. Drain -- frontman Sammy Ciaramitaro, guitarist Cody Chavez, and drummer Tim Flegal -- formed back in 2014 and cut their teeth in Santa Cruz’s fertile DIY hardcore scene. COVID lockdown couldn’t stop their 2020 debut, California Cursed, from making waves, and their 2023 follow-up, Living Proof, hit the hardcore scene like a Cali beach during hurricane season -- a torrential classic. Since then, Drain have blazed through hundreds of shows worldwide: headlining festivals, taking their friends and heroes on tour, and even playing arenas with Blink-182. Regardless of whether they're opening for pop-punk jukeboxes like Neck Deep or grabbing the stage-dive torch from Terror, Drain’s only goal is to make the crowd go buckwild.
Featured Video
YouTubeFeatured Artist
See All
La Dispute
It’s been six years since La Dispute released their last album, Panorama. Since then, the Michigan post-hardcore band—made up of Jordan Dreyer on vocals, Brad Vander Lugt on drums, Chad Morgan-Sterenberg and Corey Stroffolino on guitar, and Adam Vass on bass—dealt with the stagnance of the pandemic, celebrated the ten-year anniversaries of Wildlife and Rooms Of The House, and began working on No One Was Driving The Car. The fifth studio LP is the first entirely produced by the group, and it came together in Grand Rapids and Detroit, the United Kingdom, Australia, and the Philippines: “I think the change in environment was really helpful to breathing new life into the process each time we came back to it,” Dreyer says. Partly inspired by the 2017 psychological thriller First Reformed, No One Was Driving The Car reckons with malaise in the shadow of the looming apocalypse, which has noticeably been worsened by the advancement of tech. The title comes from a quote from a police officer Dreyer read in a news article about a lethal self-driving Tesla crash, an absurd event which raises questions about the amount of control we have in our own lives. In fourteen dynamic tracks, the band grapples with the existential topic and the human need to find comfort and a sense of security in an existence where we’re often thrust into chaos without permission. Dreyer yells with a more primal sense and sings in a more refined way, and the guitars have a sharper edge than ever before. “As much as I don’t enjoy the creative process because it’s taxing and often not fun, I also think it’s the most fun that I ever have,” Dreyer contemplates. “It’s the revelations you make, the breakthroughs. It’s banging your head against a wall and suddenly something clicks in a way that feels almost divine, like it came from somewhere else.”