Mannequin Pussy’s music feels like a resilient and galvanizing shout that demands to be heard. Across four albums, the Philadelphia rock band that consists of Colins “Bear” Regisford (bass, vocals), Kaleen Reading (drums, percussion), Maxine Steen (guitar, synths), and Marisa Dabice (guitar, vocals) has made cathartic tunes about despairing times. “There's just so much constantly going on that feels intentionally evil that trying to make something beautiful feels like a radical act ,” says Dabice. “The ethos of this band has always been to bring people together.” Their latest I Got Heaven, which is out March 1 via Epitaph Records, is the band’s most fully realized LP yet. Over 10 ambitious tracks which abruptly turn from searing punk to inviting pop, the album is deeply concerned with desire, the power in being alone, and how to live in an unfeeling and unkind world. It’s a document of a band doubling down on their unshakable bond to make something furious, thrilling, and wholly alive.
If Jakobs Castle were a physical place, it would exist somewhere in the present that’s also rooted in history—and that’s exactly how Jakob Nowell approached the 14 songs that make up Enter: The Castle. As the son of Sublime’s legendary frontman Bradley Nowell, there is no denying that Jakob is influenced by his father’s music and legacy. However Jakobs Castle is anything but a nostalgic rehash. Instead these songs are remarkably cutting-edge while still retaining the keen sense of melody that endeared his father’s music to millions of people all over the world. Nowell has described the project as “mixing California’s past with the fresh mystery of internet underground culture” and that’s a good place to start. But it’s only the tip of the proverbial iceberg when it comes to the sonic and emotional depth of this varied collection of songs.